Jim Finnel
Fallen Cannabis Warrior & Ex News Moderator
BC: A distinct aroma wafted from the Human and Social Development Building on Wed. Jan 27, as 4:20 Club patrons arrived early to campus to hear UVic professor Susan Boyd talk Reefer Madness.
Her lecture analyzed film and popular media as the source behind Canadians' view of marijuana as immoral and corrupting. Reefer Madness, a 1936 cult film, is just one of the 120 American, Canadian and British films from 1912 to 2008 that Boyd, a harm reduction activist and author, examined in her lecture.
"I defined drug films as any film that is a full-length fictional film that portrays illegal drug use and trafficking as the main focus," said Boyd. "I wanted to look at marijuana, specifically, because it's a natural drug.?It's one of our oldest drugs. It has 460 compounds - just one of them THC - and it's been used for over 5,000 years for its healing qualities."
The pictures Boyd analyzed ranged from 1920s state-sponsored drug education films to Harold and Kumar Go to White Castle, released in 2004 by New Line Cinema.
"I took a look at the films historically to see if there were certain themes that ran through them or if the themes change depending on the social or political environment," said Boyd.
Boyd teaches drug law and policy, and theory and research methodology at UVic. She drew from both cultural and feminist criminology in creating a lens through which to understand the films.
"One of the themes we see is the gateway drug discourse: marijuana leads to harder drugs," said Boyd.
Early American films, such as The ******* Fiends and Marihuana, the Weed with Roots in Hell! racialized the drug trade by introducing the theme of coloured men luring innocent white suburban teenagers ( especially vulnerable women ) into a self-destructive spiral of drug abuse. These films were meant to be cautionary tales, she said.
However, a genre of film that surfaced in the 1970s celebrates drug culture.
"Stoner films emerged and Cheech and Chong were the kings of this. Here, we have two men and, in many ways, they turned racialized stereotypes on their head. They make fun of themselves and law enforcement and play to the absurd," she said.
Films such as Night Rider and Up In Smoke also challenged racial and gender stereotypes in drug films. Racial drug users were celebrated, while white country-club females turned criminal temptresses became a less common theme.
"I watched these films with a group of male teenagers and that was the best, because the parts that irritated me, as an adult woman, they loved. I could really see what captures their imaginations and it really made me appreciate Cheech and Chong and the whole genre of stoner flicks," she said.
Boyd praises Harold and Kumar for being the only movie out of the 120 she examined which mentions medical marijuana.?She also watched Pineapple Express, a 2008 movie which echoed the themes in Harold and Kumar. However, she said she was disappointed, because the lead characters take up weapons at the end, feeding into another stereotype about drug dealing and gun slinging.
"The fever behind harsher laws has to do with propaganda and more reformers pushing for drug policy changes," said Boyd. "Our law has done nothing to deter people from using marijuana."
About 69 per cent of 18 to 25-year-olds have tried smoking weed in Canada, she said.
Bill C-15, which enlists mandatory minimums for the possession and cultivation of drugs, is an example of the "huge gap between what Canadians want and what we have," Boyd said.
Similiarly, Boyd pointed to the films she watched as a source of misunderstand about marijuana use. In the films she watched, she noted recurring themes of marijuana as a gateway drug, smoking marijuana leading to promiscuity, racialized drug use and distribution, and psychosis as a result of drug use.
"I know we can just say these films are entertainment, but I find these themes disturbing - especially in relation to the discourse outside of film talking about marijuana, marijuana grow-ops and dealing."
NewsHawk: User: 420 Magazine - Cannabis Culture News & Reviews
Source: Martlet (CN BC Edu)
Copyright: 2010 Martlet Publishing Society
Contact: martlet@uvic.ca
Website: Martlet.ca | The University of Victoria's Independent Newspaper
Author: Kayla Pepper
Her lecture analyzed film and popular media as the source behind Canadians' view of marijuana as immoral and corrupting. Reefer Madness, a 1936 cult film, is just one of the 120 American, Canadian and British films from 1912 to 2008 that Boyd, a harm reduction activist and author, examined in her lecture.
"I defined drug films as any film that is a full-length fictional film that portrays illegal drug use and trafficking as the main focus," said Boyd. "I wanted to look at marijuana, specifically, because it's a natural drug.?It's one of our oldest drugs. It has 460 compounds - just one of them THC - and it's been used for over 5,000 years for its healing qualities."
The pictures Boyd analyzed ranged from 1920s state-sponsored drug education films to Harold and Kumar Go to White Castle, released in 2004 by New Line Cinema.
"I took a look at the films historically to see if there were certain themes that ran through them or if the themes change depending on the social or political environment," said Boyd.
Boyd teaches drug law and policy, and theory and research methodology at UVic. She drew from both cultural and feminist criminology in creating a lens through which to understand the films.
"One of the themes we see is the gateway drug discourse: marijuana leads to harder drugs," said Boyd.
Early American films, such as The ******* Fiends and Marihuana, the Weed with Roots in Hell! racialized the drug trade by introducing the theme of coloured men luring innocent white suburban teenagers ( especially vulnerable women ) into a self-destructive spiral of drug abuse. These films were meant to be cautionary tales, she said.
However, a genre of film that surfaced in the 1970s celebrates drug culture.
"Stoner films emerged and Cheech and Chong were the kings of this. Here, we have two men and, in many ways, they turned racialized stereotypes on their head. They make fun of themselves and law enforcement and play to the absurd," she said.
Films such as Night Rider and Up In Smoke also challenged racial and gender stereotypes in drug films. Racial drug users were celebrated, while white country-club females turned criminal temptresses became a less common theme.
"I watched these films with a group of male teenagers and that was the best, because the parts that irritated me, as an adult woman, they loved. I could really see what captures their imaginations and it really made me appreciate Cheech and Chong and the whole genre of stoner flicks," she said.
Boyd praises Harold and Kumar for being the only movie out of the 120 she examined which mentions medical marijuana.?She also watched Pineapple Express, a 2008 movie which echoed the themes in Harold and Kumar. However, she said she was disappointed, because the lead characters take up weapons at the end, feeding into another stereotype about drug dealing and gun slinging.
"The fever behind harsher laws has to do with propaganda and more reformers pushing for drug policy changes," said Boyd. "Our law has done nothing to deter people from using marijuana."
About 69 per cent of 18 to 25-year-olds have tried smoking weed in Canada, she said.
Bill C-15, which enlists mandatory minimums for the possession and cultivation of drugs, is an example of the "huge gap between what Canadians want and what we have," Boyd said.
Similiarly, Boyd pointed to the films she watched as a source of misunderstand about marijuana use. In the films she watched, she noted recurring themes of marijuana as a gateway drug, smoking marijuana leading to promiscuity, racialized drug use and distribution, and psychosis as a result of drug use.
"I know we can just say these films are entertainment, but I find these themes disturbing - especially in relation to the discourse outside of film talking about marijuana, marijuana grow-ops and dealing."
NewsHawk: User: 420 Magazine - Cannabis Culture News & Reviews
Source: Martlet (CN BC Edu)
Copyright: 2010 Martlet Publishing Society
Contact: martlet@uvic.ca
Website: Martlet.ca | The University of Victoria's Independent Newspaper
Author: Kayla Pepper
